文章在提出莲花造型在广阔的视域空间内都有展现，琐罗亚斯德教、佛教、基督教、犹太教、摩尼教、伊斯兰教都视莲花为圣花的基础上，从佛国净土的象征、高贵身份的象征、对祖先文化的回望三个方面运用图像学的理论方法，分析了克孜尔石窟莲花的艺术语境。

The article proposes that the lotus motif is displayed within a vast visual space, and that Zoroastrianism, Buddhism,, Judaism, Manichaeism, and Islam all regard the lotus as a sacred flower. It then employs iconographic theory and methods to analyze the artistic of the lotus in the Kizil caves from three aspects: the symbol of a pure land, the symbol of noble identity, and a reflection on ancestral.